You were forced to submit so
You revised the primal scene
Muffled the internal scream
You remembered it differently
You must have
Wanted
it,
You
must have
Asked
for it
In this way you kept yourself
together
Maintained control
Kept your face from
reflecting the shattering inside
Success kept you from
trusting yourself
Trusting how you record,
How you see.
The last boyfriend said you
gave off mixed messages
Ran
hot and cold
Beauty
and Beast
Madonna
Virgin Whore
It must be hard to be an attractive
woman
With a brain, he said. And
you said
With an ironic smirk
Yes, it’s a real bitch. As
you mixed another
Extra dry martini and slipped
Into his lap like a pretty
lap dog
With a pedigree.
Pretty is a cursed blessing.
It is what
Yebba
yebba
He was chanting as he entered
Your mute and trembling
Five year old body
It is what you didn’t want.
It is what you wanted.
So now with perfect posture
Some twenty years later
You want a man to tell you
You are pretty, pretty,
pretty
As he strokes your hair
And traces down the length of
your neck
It makes you hate yourself
Because inside
Of course you
Don’t want it
Didn’t want it
How could you?
Your grandmother
Knew what was happening
Told your parents
Who asked you
And you lied
Betraying her
The way he betrayed you.
When it is in the family
You cannot speak it
To speak it
Would be
To make the shame real
To give it body
It doesn’t deserve.
But the silence
Made you
Phantom
Conditional
Un-present
At the point of shattering
You were caught in emotional
deep freeze
No warm lips could kiss you
Out of the ice glass coffin
That was your body
Your face
The words you mouthed
The gestures you pantomimed
You walked the pretense
Numb, unseeing, dead
We walked together, you and I
Unable to face each other
Unwilling to free
The warm blue thing rattling
Inside our cages of sharp
bone and
Slowly rotting meat
Not daring.
© Jane Park
Published in Experiments in a Jazz Aesthetic: Art, Activism, Academia and The Austin Project, edited by Omi Osun Joni L. Jones, Lisa L. Moore, and Sharon Bridgforth (University of Texas Press, 2010).
© Jane Park
Published in Experiments in a Jazz Aesthetic: Art, Activism, Academia and The Austin Project, edited by Omi Osun Joni L. Jones, Lisa L. Moore, and Sharon Bridgforth (University of Texas Press, 2010).
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