Saturday, June 23, 2012

Assimilation

You were forced to submit so
You revised the primal scene
Muffled the internal scream

You remembered it differently

            You must have

                        Wanted it,
            You must have

                        Asked for it

In this way you kept yourself together
Maintained control

Kept your face from reflecting the shattering inside

Success kept you from trusting yourself
Trusting how you record,
How you see.

The last boyfriend said you gave off mixed messages

Ran hot and cold
Beauty and Beast
Madonna Virgin Whore

It must be hard to be an attractive woman
With a brain, he said. And you said
With an ironic smirk
Yes, it’s a real bitch. As you mixed another
Extra dry martini and slipped
Into his lap like a pretty lap dog
With a pedigree.

Pretty is a cursed blessing.
It is what
            Yebba yebba
He was chanting as he entered
Your mute and trembling
Five year old body

It is what you didn’t want.
It is what you wanted.

So now with perfect posture
Some twenty years later
You want a man to tell you
You are pretty, pretty, pretty
As he strokes your hair
And traces down the length of your neck



It makes you hate yourself
Because inside
Of course you
Don’t want it
Didn’t want it

How could you?

Your grandmother
Knew what was happening
Told your parents
Who asked you

And you lied
Betraying her
The way he betrayed you.

When it is in the family
You cannot speak it

To speak it
Would be
To make the shame real
To give it body
It doesn’t deserve.

But the silence
Made you
Phantom
Conditional
Un-present

At the point of shattering
You were caught in emotional deep freeze
No warm lips could kiss you
Out of the ice glass coffin

That was your body
Your face
The words you mouthed
The gestures you pantomimed

You walked the pretense
Numb, unseeing, dead

We walked together, you and I
Unable to face each other

Unwilling to free
The warm blue thing rattling
Inside our cages of sharp bone and
Slowly rotting meat

Not daring.


© Jane Park


Published in Experiments in a Jazz Aesthetic: Art, Activism, Academia and The Austin Project, edited by Omi Osun Joni L. Jones, Lisa L. Moore, and Sharon Bridgforth (University of Texas Press, 2010).

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